Whew.

wrong side of the fenceI wrote for nearly five hours today. It’s been a long, long time since I wrote that much in one day, and I’m feeling it.

When I run, particularly if I haven’t run in a long time, it’s the same kind of feeling. The first five minutes or so are OK… maybe I’m a little off in my running rhythm, or maybe my muscles haven’t quite warmed up yet and I feel a little stiff. Then,  I hit the wall. It gets harder to breathe, and my lungs begin to ache. The muscles in my legs are straining to keep going; my feet throb, my knees pop and creak. I wonder if I’ll be able to continue running. I wonder if I want to continue running. It feels awful. Finally, maybe 15 minutes in, I’m over the wall. Breathing gets easier, my legs feel stronger, my head clears, and I feel as though I could run forever. (I blame that completely delusional thinking on all of those running endorphins. The feeling lasts another 10 minutes or so until my sporadic running habits have me wheezing to a halt.)

That’s pretty much how writing so much felt to me today. I’m at the wall. Physically, my arms, hands, back, and eyes are not used to sitting in front of a computer and go-go-go typing for so long. Mentally, I’m off my game too. What I am thinking and what I type are often two different things. I can’t seem to spell anything. I had to force myself to sit still and focus.

But! I made progress on the novel. I’m up to about 6,100 words. Today was a slog, and I hoped to get a little farther ahead, since I don’t know how much writing I’ll be able to squeeze in over the next couple of days, but it was progress. I can feel writer-me getting back to work, after a long, long vacation. I just need to get over that wall.

Tuesday tidbits

1. Today is election day. It’s one of those quiet election days, in which we in San Francisco vote on whether to have money become available for this or that, and the candidates running for various offices are all running unopposed. When Aaron wakes up from his nap, I’ll walk him to my local polling station, which happens to be in someone’s garage. I’ve written about that here before. I don’t think I’ll ever get used to voting in a garage. I just picture somewhere more …civic.

2. I’ve been writing my “F is for …” post for the Alphabet: A History meme.

3. Yes, I should have been working on my NaNoWriMo novel instead.

4. It’s Day 3 of  NaNoWriMo, and I’ll admit it: I’m behind. Already. On the first day I cranked out 3,000 words only to reopen the document on Day 2 and cut most of it out. I wrote so quickly I didn’t realize I’d been blah-blah-ing backstory instead of creating in-scene action. This is not to say the cut material is useless – it informs what’s coming — but it certainly put me a bit behind in the word count. I don’t mind that so much, as I see this more as a writing exercise than anything else. I’m just trying to get in the habit of writing a lot. Every day.

5. My dog, in an apparent fit of jealousy, stole one of Aaron’s favorite stuffed toys while we were out this morning, then in an unprecedented act of vindictiveness, took it outside and rolled it around in the flower bed so it got nice and dirty. He then dropped it on the living room rug, leaving a vacuum cleaner-necessary sized pile of potting soil.

6. I’m now on Twitter. As far as I can tell, Twitter may be more distracting than the worst of all other Internet distractions and could quite possibly contribute to my never doing anything ever again. Other than that, it’s great.

October writing links

Hello, reader. Here’s a little tidbit for you: I’m a mad documenter of the past. This, no doubt, has something to do with having two historians for parents. I grew up knowing words like “archive” at a very young age. Anyway, I’m always trying to preserve moments in time. For example, October.

I thought I’d share the writing-related links* from October that most moved, inspired, thrilled, saddened, and in the case of two book reviews, surprised me. In other words, worth reading:

Alexander Chee’s wonderful essay on Annie Dillard and the Writing Life.

An excellent question posed on Practicing Writing. I could probably write a blog post about my experience with age in my MFA program. Oh wait, I did. All I can say is, if you’re not in your 20s, make sure you visit the program and/or find out some specific age demographics before you go to make sure it’s a good fit.

The decline and fall.

A pretty rough review of John Irving’s latest novel from Michiko Kakutani. One of several harsh book reviews I’ve read recently. This one follows the nearly complete evisceration of Richard Powers’ entire body of work in the New Yorker. I’m not against negative reviews…it’s just, well, it’s always unsettling to read a harsh one, particularly when it’s the work of an established writer.

Scrivener, the helpful writing software, is offering a discount to NaNoWriMo participants. The more you write, the cheaper it gets! I don’t use Scrivener all the time, but I absolutely love it for organizing lots of shorter documents, or trying to get my head around a big project. I’m a big fan of the cork board.

This has made the rounds but it’s an amazing story of almost giving up on writing (but not!) and so I include it here.

*There’s a nice little feed of what I’ve been bookmarking on de.lic.ious on the right side of the blog  that you can see if you click through from that handy feed reader you use to keep up with all the bloggy goodness out there. But if you’re in a hurry or just don’t feel like clicking, I’m here for you. Thus the October roundup.

I’m committed now.

nano_09_blk_participant_100x100_1.pngWell, I did it. I’ve signed up to try National Novel Writing Month again. I was waffling, but there was some peer pressure — all the cool kids are doing it! — and here I am signing up to crank out 50,000 words in 30 days.

No big deal. Yeeah.

I had been tossing around the idea of writing 50,000 words of nonfiction, since that is what I am more in the habit of writing. But… I’m not in the mood. So there you have it. I’m planning to write a novel-in-stories instead, set in San Francisco. Maybe doing this will answer some of my questions about linked stories/novels-in-stories, who knows. In any case, starting Sunday, I’ll be attempting to write 1,667 words a day and to avoid the tendinitis/carpal tunnel symptoms that plagued me last time I tried this.

I’d like to say I’m ready, but I’m not. I’ve got a lot of thinking to do about characters, plot, how the stories link, etc. I’m a little nervous about signing on for so many words. It’s been a while since I was in a place where I could write that much, that quickly.

It will be good for me, if I can pull it off.

Here’s to November!

 

There’s a pug in the produce aisle, and not nearly enough caffeine in my system.

Certain events should not be paired. For example: 1. Being awakened when there’s a 4 on the clock should not, under any circumstances, be combined with 2. Running out of coffee and having to substitute decaf just to make one measly cup.

Maybe I should rephrase that. Certain events should not take place, period. For example, 1) Being awakened when there’s a 4 on the clock, and 2) Running out of coffee.

This is, obviously, not how I wanted to begin my day. I’ve been tossing around writing ideas all weekend — big, book-length ideas.* Because Monday is one of the days I’ve got childcare, I was eager to get cracking on fleshing out one or both of my ideas today. Alas, certain environmental factors are not conducive to productivity. See also, sleep deprivation. See also, running out of coffee.

Anyway, despite my low levels of caffeine, I managed to leave the house, stagger through some semblance of a workout at the gym, and drive (accident and road rage free!) to the Safeway in the Castro. It should be noted that of late I have been spending more time in the Castro Safeway than seems remotely necessary or healthy. What can I say? I’m a poor grocery shopper/meal planner and everyone in my house is way too hungry. Alas,  the Castro Safeway. It is … other-worldly. It is San Francisco. Homeless people abound. Activists with clipboards assault all those who enter. (Please sign to help us legalize marijuana!”) Shoppers are always talking to themselves, and they are never speaking about groceries.  Signs proclaiming “no dogs allowed per San Francisco health code blah blah blah” are taped on all of the doors, yet someone is always walking his or her dog down the baking aisle or through the meat section.  This morning, a Jack Russell with an adorably scruffy beard was sniffing the cereals. On every visit, I encounter someone who has flagged down a Safeway employee and is dragging said employee all over the store. As in, the shopper has a list, and they are making the Safeway employee lead them directly to every item on the list and place said items in their cart for them. I have never seen so many lost shoppers in a grocery store before.

In the Castro Safeway I have seen a woman carefully select some bagels from the bins in the bakery section, place them in a bag, dump said bag out on the floor, and then return the bagels to the bins for some unsuspecting shopper to buy and eat. I have been approached in line by a teenager “trying to get back to Las Vegas” who begged me for a donation of $50. I have seen dogs in baby strollers. I have seen dogs in backpacks, purses, and shopping carts. This morning a man looking for cake flour (and led to it by a Safeway employee) kept repeating “you’d think that it would look like what it is!” until the Safeway employee had no choice to agree (though he was clearly humoring cake-flour guy and very confused) that indeed, cake flour does not look at all like what it is. This morning a woman knelt on the floor in front of the milk case, reading her grocery list, despite the line of people waiting to open the case and get out cartons of milk. They clustered around her, all of them afraid of interrupting her thoughts. When, finally, someone did, she simply got up and out of the way, no apology, no apparent surprise at holding up five people from their shopping. This morning someone got on the intercom and said, “Safeway employees, I need some productivity.”

I once ordered a coffee at the in-store Starbucks, only to have the cashier burst into tears and walk away.

This morning, my cashier, who as I was to discover was Norwegian, told me that he’s recently noticed an uptick in the number of former Catholic priests coming through his check-out line. (How does that come up? “Do you have a Safeway card? By the way, are you a former Catholic priest?”) And then he told me about how he once carried 60 packages of Peet’s Coffee home to Norway for his family, only to be held up in Helsinki by the authorities, who thought he was smuggling drugs. He kept describing how “they kept sniffing” the coffee, and finally I had to speak up — it should be noted that thus far, I had only nodded and smiled politely. I said, “you mean drug-sniffing dogs?” He did not mean drug-sniffing dogs, and I left the store imagining Finnish customs officers taking long, deep sniffs of the rich scent of Peet’s. I did not blame them.

*Frankly big book-length writing projects are not necessarily what I need to jump into right now, but here I am thinking about them anyway. I’m considering doing something for National Novel Writing Month, which starts in less than a week. I have no reason whatsoever not to do NaNoWriMo, though I keep providing myself with all sorts of excuses (I don’t have time! I might have another tendinitis flare-up in my arm! What about all my other half-written projects? etc.) But, hey, why not? I need a kick in the pants. Right! Right?

linked stories

stairway to...I’ve become enamored of (obsessed with?) linked stories/novels-in-stories/fractured narratives. This is what happens: Every time I read a novel-in-stories or a collection of linked stories (where is line, when do linked stories become a novel-in-stories? Is there a line?) I am so wowed by the form, and then I think about it constantly, wonder what other books are out there in the form, vow to read them all immediately, and then pick up a novel or a memoir and forget all about it. (What can I say? I am easily distracted.) Until the next linked story collection appears on my nightstand.

I was first made aware of the form in grad school, when I was assigned The Beggar Maid, by Alice Munro, for a lit class focused on short stories. (Quite possibly the best class I took in my MFA program, writing classes included.)  It wasn’t that I’d never read linked short stories before, but that class was the first time I was made aware of the concept, and could put a name to it. This summer I read Elizabeth Strout’s beautifully written Olive Kitteridge.  A couple of weeks ago I got lost in Japan, in Christopher Barzak’s ethereal The Love We Share Without Knowing. The fractured narrative seemed particularly appropriate to convey the confusion of being an expatriate, as well as some of the mysterious (to an outsider, anyway) conventions of Japanese culture.

Reading these two books reminded me how much I love the concept of linked stories, and I started poking around on the web for any commentary from writers on the writing process. Every collection of linked stories I’ve read has seemed, despite the skips in time or the switches in point of view, to have a certain complexity that I saw as possibly being quite difficult to create. Or was it easier to write a novel-in-stories? I just wanted to see behind the scenes.  Alas, my dreamed-of “Authors Talk About Writing Linked Stories” book proved elusive. I’m still looking for something out there on the process of producing a collection of linked stories and how it differs from sitting down and writing a novel from start to finish. (If you’re aware of any, please let me know!)

Anyway, one of way of answering these questions might be… writing some linked stories myself. Hmm.

In the mean time, I’m putting together a linked stories/novel-in-stories reading list. Suggestions welcome.

E is for everything, everything, everything

We spend a lot of time in cars. We drive to the mall, we drive to school. We drive each other home from school, from field hockey practice, from parties, from 7-11. We make out with boys in cars parked in houseless cul-de-sacs. Always there is music. In the summer we open the windows, let humid air move our moussed and sprayed hair, the bangs that curl just so over our pimpled foreheads. We turn it up and yell the words to every song. We know all of the lyrics. No sleep til Brooklyn. Pour some sugar on me. I’m not internationally known/ but I’m known to rock the microphone.

Each of our cars has its own soundtrack. Michelle drives fast and it’s always the Beastie Boys. Loud. She squeals and screams about boys and Mike D. She plays New Kids on the Block, too, but the rest of us make her turn it off. We get in her car reluctantly sometimes – she can’t be trusted not to drink at parties and she’s always pushing curfews. Still, once we’ve clambered into the back seat, we scream together. Had a little horsy named Paul Revere/Just me and my horsy and a quart of beer. The suburban nights are dark and star-smattered. We cannot imagine anything else.

Kathy is a safer ride. There’s Poison or Guns N Roses in the background. Bon Jovi. We croon power ballads, swaying against each other. Never say goodbye. Never tear us apart. Every rose has its thorn. Sometimes tears come to my eyes as I scream don’t ask me what you know is true… I love your precious heart. It embarrasses me and I pretend I’m acting. We hold our breaths in the pauses, sing the strum of the guitar dun dun dun dun dun, laugh that we all did it at once.

Leah drives a sea-green car from the 60s her dad fixed up, and at night the old windshield glass takes in headlights and scatters them. Leah is always leaning forward, peering through the steering wheel, trying to see. Leah is Depeche Mode and U2. I’m taking a ride with my best friend. Leah is not usually driving a crowd; it’s just the two of us, talking about school, about Michelle’s latest crush, about a guy we both think is cute. We’re riding high watching the world pass us by. Leah is responsible, and I like to think I am not.

Me, I am all of them, a chameleon. I know all the words to Pour Some Sugar on Me, but I lean toward the Cure, the Smiths, 10,000 Maniacs. I think I have to change my music to please whoever is in the car with me. Maybe that’s why I like driving alone. I drive fast, even at night, delight in my power steering. In the winter I roll down the windows and turn up the heat. I like the rush of cold-hot. I like feeling anything. I sing out loud, badly; to whining Cure songs, to New Order, to whatever is British. Stop me if you think that you’ve heard this one before. I’m moody and my stalker boyfriend is moodier. We think the Cure is singing about us. Swimming in the same deep water as you is hard. We are a cliché and we don’t know it. Some nights I leave my part-time bookstore job and the whole way home I watch his headlights in my rearview. Watch him watching me. I translate my anger into music. You can all just kiss off into the air/Behind my back I can see them stare/They’ll hurt me bad but I wont mind/They’ll hurt me bad they do it all the time.

In my car we sing the Violent Femmes. In all of my friends’ cars we sing the Violent Femmes. In my friends’ friends’ cars we sing the Violent Femmes. It is music meant to be screamed with teenage angst and abandon with the windows down. Everyone knows the lyrics. There is anger and a raw, coming-unhinged quality to the vocals. You can all just kiss off into the air. We let it mix with the cool night air and unhinge us. Lemme go wild/like a blister in the sun. We love screaming out the forbidden, the scandalous, the truth: Why can’t I get just one f**k?! We love reciting the countdown to a downfall, as if it is our own: I take one one one cause you left me and/ two two two for my family and/ three three three for my heartache …

Our cars are little bubbles in which nothing happens; or maybe in which everything happens. We do not yet know that nothing has happened to us, or that it’s possible to really come unhinged. We count down, biding our time. Waiting.  Seven seven for no tomorrow and/eight eight I forget what eight was for and/nine nine nine for a lost God and/ ten ten ten ten for everything/everything everything everything

___

Joining Charlotte’s Web, Jade Park and The Contact Zone in working through the alphabet with short, memoir-like pieces. It’s called Alphabet: A History.

Previous posts:

A is for Aaron

B is for Biddeford Pool

C is for crème brûlée

D is for dog bite

The top 50 MFA programs…

The November/December issue of Poets & Writers includes the magazine’s 2010 rankings of the top 50 MFA programs. There’s a longish article accompanying the list, which mostly details the methodology used for creating the rankings, and the ways in which this list differs from the last ranking of MFA programs done by U.S. News and World Report, in the late 90s. The print issue apparently includes some other data that’s not available in the online chart, as well as a longer article.

Whether or not you put a lot of value in school rankings lists, there’s some good information here about each school’s funding and selectivity. Not sure if there are any big surprises, in terms of schools appearing in the top 20 that may not have been there before. I haven’t seen the print version yet, but from looking at the online list, I can say I’d love to see more information about nonfiction programs included in this list.

Michael Chabon and altered writing routines

I used to wake up around 7am, grope my way downstairs, fumble with the light switch, and immediately set a kettle on the stove for coffee. I am not a morning person. I use a French press to make coffee, which arguably is not a non-morning-person’s coffee-making routine. (It requires a bit of patience for the water to boil and for the coffee to steep in the press and can result in a big mess if one presses the plunger down too quickly. There’s vigilance required, unlike when using a drip coffee maker, and vigilance is not something that people who need caffeine in order to see straight in the morning have in great supply. But I digress.) Anyway, while my coffee was steeping, I would toss a frozen bagel into the toaster oven. When it was toasted, the coffee was done. I carried my bagel and cream cheese and mug of steaming coffee upstairs, and sat down at my computer. While I ate, I surfed and read the news. When my plate was empty and coffee gone, I opened Word documents and began writing. Sometimes I wrote for several, blissful, caffeine-fueled hours. Sometimes I took a break to shower and get dressed, then cranked out more words. By late morning or early afternoon, I was ready to do something else, be it work, or school, or gym. My routine was, at least most of the time, an extremely satisfying and productive one.

That was all Before Baby. After my son was born my routine — writing and otherwise — has been all but decimated. For example: I began this post while he took an unexpectedly long mid-morning nap yesterday. I hoped to finish it during his second nap of the day, but he decided not to take a second nap of the day, and here I am finishing my post more than 24 hours later. Any writing time comes when I am least expecting it, and cannot be relied upon or predicted.

It was comforting to read on Jacket Copy this week author Michael Chabon’s honest description of how he struggles to maintain his writing routine while also being present for the best parts of the day with his children:

…my natural rhythm is to work at night, stay up late and to sleep late. I can get more writing done between midnight and 1 o’clock in the morning than at any other hour of the day.
Unfortunately, that schedule does not work at all well in a family with small children. If I sleep late, then I miss out on what I think is the nicest, most pleasurable time of the day, of an ordinary, everyday routine. In the morning — my kids are generally in a pretty good mood when they wake up, you know, we make breakfast. I hate missing out on that, so I get up. So that means I can’t really stay up as late as I might like. Or else I don’t get enough sleep. I struggle with the schedule. And I’ve been struggling with it for years.

I have always wondered how Chabon and his wife Ayelet Waldman, who is also a writer, manage to get anything written — they have four kids. And yet both are quite prolific. Chabon admits in the interview that he sometimes stays up too late, choosing to lose sleep in order to write. And he sometimes has to leave home altogether — a few days away to bang out as many words as he can at the time of day he works best. His wife, he says, does a better job of working efficiently during the hours the kids are in school.

I’m always fascinated by how different writers approach the work of writing, but it’s also interesting to consider the result of upending one’s writing routine, purposefully or no. Writing teachers and books on writing usually advise: Find a writing routine that works for you, and stick to it.

I wonder if some better advice might be: Learn to write at any time of day, even those you think might not be your best. Train yourself to be flexible. That’s life, after all, which is always threatening to interrupt even the most-adhered-to routine. And it’s not just having kids — it’s work, school, a significant other perhaps, or just a desire to get away from the computer for a few hours and enjoy some nice weather.

I’ve learned (and am still learning) the following over the past months of struggling to write in a new/unpredictable routine:

–  It’s less about what time of day works for your writing routine than it is about training your brain to think about writing and work creatively at times that it might not normally function that way. For me, this is the hardest part. When I had my early morning writing routine going, it wasn’t that I couldn’t write later in the day, but I found that the distractions of the day tended to intrude more; slow me down and trip me up. This is still the toughest thing for me to overcome, post-baby. In the 10-15 minutes before I started this post I ran through a long list of things I needed to get done while Aaron slept, mentally considered which ones could be put off (the dishes? a shower?), and then hustled through the things that absolutely had to get done (laundry). In the moment before I began writing I was still thinking about whether I had everything ready to go in my bag for when Aaron woke up and we went outside. I had to shut off all this kind of thinking to settle in and write. Some days the writing pushes itself to the front, and it’s easy. Some days, I can barely write a sentence before all those mental to-do lists reassert themselves.

-  Comparisons are creativity killers. I used to, on days when writing was frustratingly elusive, consider other writers’ situations, compare them to my own, and beat myself up over my lack of productivity. Michael Chabon and Ayelet Waldman were examples I thought about often. If this couple could be so prolific with four kids, why couldn’t I get a paragraph written with just one child to distract me? It’s easy to fall into this kind of thinking (especially if one is sleep-deprived and/or in a bad mood), but man, is it not helpful. Chabon’s interview is a reminder that it’s hard for everyone, even Pulitzer Prize-winning authors, to balance writing with other aspects of their lives. It’s important to keep perspective.

- Use some non-writing time to prepare for writing time, whenever it eventually presents itself. In the car, in the shower, and yes, I admit it, sometimes when I’m playing with my son, I have thought about pieces of writing and what I will do with them next. I have dreamed up new pieces of writing. In busy times, when it seems like I will never get to write again, this practice can serve as a reminder that I’m not writing, yes, but it is a way of making the most of my time in front of the computer when a writing session does eventually happen. Sometimes I keep a notebook nearby so that I can jot down ideas — I have a horrible memory — and that makes me feel like I’ve accomplished something, even when I haven’t written a full sentence for days.

-  Remember that you will have to re-learn all of these above regularly. It’s so easy to get caught up in the fact that there’s so much to do, or you haven’t had much sleep, or that you’ve only written for a half an hour this whole week, or that other writerly people you know seem to be banging out story after story, or a novel, or blogging more often than seems humanly possible, etc., etc., etc. The big picture is still there, it’s just a matter of stepping back to take in the full view.

clarity

Today I opened one of two short stories I have been working on for some time. (Ahem, two years.) I haven’t touched the story since May, and the months away brought, as they always do, clarity. For example: in various places in the story I’ve abruptly switched point of view, and I didn’t even realize it. This is a fairly easy problem to deal with, and I’m thankful that I didn’t find, say, that I hated all 10 pages, or that I wanted to retell the story in a different way. In fact I’ve already been through that and other changes to this story before. It’s time I finished it, really.

I’m pushing myself to wrap it up by the end of this month. And then, darn it, I’m going to send it out.