A Korean deli and the Paris Review

I just finished reading one of the more enjoyable memoirs I’ve come across in a while, Ben Ryder Howe’s My Korean Deli: Risking It All For A Convenience Store. 

What’s not obvious from the title of this book is that Howe was, at the time in which this book is set, a senior editor at The Paris Review. And thus while the memoir is ostensibly about the author,  his Korean wife and mother-in-law buying and running a Brooklyn deli, there’s a subplot about the final years of the Review under its venerable editor, George Plimpton.

Howe manages to weave his life at the Review, the trials of running a small business in New York, and, perhaps most compellingly, the tangle of emotion and obligation in his wife’s family’s life vs. his extremely Puritan New England upbringing. He’s a descendant of  those who came over on the Mayflower (and his family never left Plymouth, MA) and as the book progresses he finds himself learning to understand and support his immigrant mother-in-law, and to give in to his wife’s sense of family duty. It’s an interesting perspective, and as a reader you can sense the anxiety it caused him. George Plimpton and the struggling Paris Review are another source of anxiety and stress, and yet Howe has written a humorous, loving memoir that displays both his discomfort with and respect for the ways Plimpton and his mother-in-law do things.

The descriptions of the inner workings of The Paris Review are intriguing, sometimes funny. (They would, I suspect, be funnier if I wasn’t submitting my own work to lit magazines.) For example:

One of the quintessential Paris Review experiences is opening a cupboard to look for a coffee mug and having an avalanche of short fiction land on top of you. You open a closet meant for coats and there’s a stack of cardboard boxes containing unsolicited manuscripts. You sit down at your desk and stretch out your legs, and bump—there’s a whole milk crate of human creativity. There’s slush on the shelves in piles reaching up to the ceiling, slush in the basement in ice coolers and picnic baskets, slush under the toilet, slush over the sink … There’s so much slush it makes you wonder if everyone in the country, instead of watching reality TV and playing video games, is writing short stories.

The magazine lacked any employees handling the business aspects — marketing and permissions, for example, which led to mistakes by and complications for its editors, including Howe. And Plimpton’s failing health presents challenges that no one at the magazine is prepared to handle. Meanwhile Howe and his wife are living with his in-laws on Staten Island, working night shifts at the financially teetering deli and watching his mother-in-law work harder than he ever imagined possible. He must learn about her past and understand why she is the way she is. She’s a force in the book, a character that Howe presents perhaps more completely than he does his wife, a corporate attorney who works shifts in the deli after a long day in her Manhattan office. The family learns to manage employees, how to handle deliverymen who try to extort them, and they battle undercover officers trying to catch them in the act of selling cigarettes to minors. Of course, as in any convenience store, there’s also the added concerns about crime, small margins, and difficult customers. You can’t help but want to know how it turns out.

Great novels about work

This week I returned to the business newspaper where I’ve worked on and off for the past ten years. For the next six months I’ll be filling in there a couple of days a week for an editor who is on maternity leave. Aside from the fact that I’ve now thrown myself another ball into the air to juggle, this change, along with a lot of pondering of my novel-in-progress, got me thinking about novels about — you guessed it — work. (The novel-in-progress contains quite a bit of its characters’ working lives. Work is itself a character.)

And so I thought I’d put together a listing of novels about work. I tend to look for “model books” when I’m writing, to see how other authors have tackled certain topics/themes, and thus I love to see and collect lists of books that have themes in common. There’s more fiction about the workplace than you might think. After all, everyone who’s had to make it through a slow Friday afternoon on the job knows that work can be tedious, and how does one go about making a novel out of that?

-It happens that a couple of books have been released recently that focus on the workplace: David Foster Wallace’s posthumous novel The Pale King (arguably also about tedium) and an anthology edited by author Richard Ford Blue Collar, White Collar, No Collar: Stories of Work.

-Joshua Ferris’ Then We Came to the End is perhaps my favorite novel centered on work, and especially on office life. He captured the strange time of the dot-com boom and bust of the early 2000s in writing about employees of an ad agency.

-Revolutionary Road, by Richard Yates. What a fabulous example of the great American novel! It’s Mad Men, before there was “Mad Men.” And it’s all here: the house in the suburbs, the commute to the city, the disconnect between working life and home life. Working life in the ’50s.

-You might not think of it this way, but The Great Gatsby has a work theme. (Plus I just love the novel, and will bring it up whenever possible.) TGG takes place at a particular time in economic history, much in the way Ferris’ novel does, in which young people are arriving to New York in droves to work for banks. I can’t help but include this lovely graph, in which Nick is working late in his office in Manhattan:

I wanted to get out and walk eastward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.

Other places to find work in fiction: Richard Ford’s Sportswriter trilogy; John Cheever’s stories (at the very least, the commute is prominent, as is the disconnect between work and home life, much as in Yates’ novel. Cutting for Stone is one of the finer novels I’ve read involving the medical profession; Tom Rachman’s The Imperfectionists examines the life of expat journalists; Allegra Goodman’s Cookbook Collector tackles both life at a pre-9/11 dot-com and work at a Berkeley antiquarian bookstore. Melissa Bank’s Girl’s Guide to Hunting and Fishing includes quite a bit on starting out in publishing. Of course there are the more popular novels: The Devil Wears Prada, The Firm, Vertical Run, etc., etc.

And so, back to the grind. Happy reading!

Links:

The Independent’s “In search of novels about the working life” takes a look at why there aren’t more novels about work (“Work’s relative absence from the novel is all the odder when you consider its absolute ubiquity. Not only is it a universal leveller, it is also one of the great venues for social interaction.”) and considers some of the great books involving the workplace, including Ferris’ book, Thomas Hardy’s Jude the Obscure, and other classics, like The Jungle.

Six great work/business novels (The Daily Beast) Includes Yates’ novel and Joseph Heller’s follow-up to Catch-22.

Ian McEwan’s Five Favorite Novels About Work (Salon) Obviously, we can’t leave out Updike.

An impressive compendium from Library Booklists (a great resource, BTW) Financial, Work, Business, and Math Fiction

Richard Ford on his new anthology, on public radio’s Marketplace

NY Times’ review of DFW’s The Pale King

Friday things

It’s been a while since I have posted any writing links. I could go on about why this is, but no doubt I would lose what 2-3 faithful readers I have with that boring tirade. So I’ll just get down to business. Since it’s the weekend, or almost, anyway, and theoretically that means you (reader?)  will have a bit more free time on your hands, I thought I’d pass along some excellent long-ish reads I’ve come across lately:

First up: This highly enjoyable, somewhat meandering (but worth the ride) essay in the Guardian from Elif Batuman, author of The Possessed: Adventures with Russian Books and the People Who Read Them, about how life changed after she published a bestselling book:

At some point we headed back into the rain. Although I had quit smoking six months ago, I paused to bum an American Spirit from a conveniently situated critic. “I thought you quit,” my agent said. We began to walk to the Middle Eastern restaurant where Farrar, Straus was holding a dinner for its three finalists: me, Jonathan Franzen and Damion Searles. (Searles translated Comedy in a Minor Key by the 101-year-old Dutch novelist Hans Keilson, who was not in attendance.) In front of the restaurant, A held the broken umbrella while we took turns finishing the damp, slow-burning cigarette.

“I wish we had some weed,” he remarked, initiating a discussion of who at the dinner would be likely to have weed. Our money was on Franzen.

Second: “Why We Travel,” an essay by Paul Theroux in the New York Times. I often become irritated, nay, pissed off even, when reading Paul Theroux. But unlike Phillip Roth, who also pisses me off, I keep reading him. Why? His writing. Sigh. The writing is so good that I forgive him the pretentious things he sometimes writes. What a vocabulary! (I suppose I could say the same thing about Roth, but his content pisses me off so much I can’t stomach his work at all. Also, I suppose that his writing does not move me in the same way that Theroux’s does. Just a personal preference.) Also, Theroux’s travel philosophies mirror my own, though it’s been a long time since I’ve really been able to travel the way Theroux describes in this piece. For that, having a two-year-old along for the ride is not recommended. Anyway, with that dubious introduction, I offer this essay. If you haven’t read much Theroux, I recommend The Old Patagonian Express. I found it more accessible than The Great Railway Bazaar, which is probably more well-known.

Third: This charming bit of memoir on being an only child, from Geoff Dyer in the Threepenny Review. I will admit to some bias here. After all, I am an only child, and I related to some of Dyer’s descriptions of his childhood. Still, it’s a nice bit of writing.

It wasn’t until 1987 that I really understood how liberating the task of writing fiction could be. I was twenty-nine and writing a book based very closely on the life my friends and I were leading in Brixton, South London. At that time I was going through a phase of wishing very badly that I had a sister. I’d had these longings before, but never as intensely. It came to me in a flash—and it should be obvious by now that this is not the first time that I have belatedly realized something that everyone else has either known for ages or taken for granted—that if I wanted a sister I could just invent one!

I have never wanted to invent a sister, but it surprises me that more only children are not writers. The solitude is comforting, not alarming, as it is to some who grew up used to bustling households and constant companionship.

Happy Friday.

January writing links, pre-AWP blizzard edition

I’m getting ready for my trip to Washington, D.C. on Wednesday; I’ll be attending the AWP annual conference for the first time. I spent the weekend pouring over the amazing list of conference sessions and events and after picking out my must-attends, I thought, OK, I’m ready. And then I looked at a weather map.

Let’s be frank. I live in California. There’s not much cause to study the weather here. It’s been sunny and 60 degrees or so for most of the past month. And so it should be noted that when I booked my flight to DC for the conference, I didn’t consider the implications, of, for example, “February” and “Chicago.” And I happily booked myself a flight via the Windy City to get to DC.

Last night I checked my flights and thought maybe, possibly, I should look at a weather report for both Chicago and D.C. And it just so happens that there’s a giant, blustery blizzard of apparently historical proportions scheduled to batter Chicago on Tuesday night and Wednesday. Two feet of snow, tornadoes, you name it.

But enough about that. I have gotten myself rebooked on another flight via Denver. The airline won’t give me a seat, so who knows what that means, or whether I will, in fact, actually make it to D.C. as planned. But you did not stop by to read about the winter weather. I’m getting back to my routine of posting my favorite writing links for the month. Enjoy, and if you’re traveling to AWP, good luck and be safe!

Author Michelle Richmond on accidentally finding her way through a novel (Glimmer Train)

Writing advice from Rick Bass: Don’t compare bodies to car parts. (Huffington Post)

Should grammar be taught in the creative writing workshop? (via The Missouri Review blog)

An old interview with Colm Toibin in The Guardian: “Let’s have no more backstory!” I found Toibin’s approach to teaching American writing students very interesting.

Ploughshares magazine is launching an Emerging Fiction Writer’s Contest.  Deadline is March 15.

Let’s get persnickety! Why you should never, ever put two spaces after a period. (Slate)

Beyond the Margins offers 13 ways of beginning a novel, along with the pros and cons of each. Clever.

And, finally, some tips on surviving AWP. (The Missouri Review)

Writing links: Election Day/World Series hangover edition

Hello friends,
It’s a sunny, 75-degree fall day in Northern California. We Californians, unlike most of our American compatriots, yesterday elected a Democratic governor*, and have reelected a Democratic Senator. The San Francisco Giants have won the World Series for the first time, well –  ever, really, but since 1954 if you’re one of those people who looks at the entire history of a team and not its geographical location, but that’s neither here nor there. And you wanted to see some writing-related link goodness, didn’t you? Perhaps, like me, you’re avoiding reading the political news. Well, here you are:

Just in time for NaNoWriMo: How to Write a Novel, from San Francisco-based literary agent Nathan Bransford.

Some ebooks now priced higher than hardcovers. The times, they are a-changin’.

How to promote your book A great series from Booktour.com. You know, if you have a book.

Lorrie Moore on MFA programs, writing from a male perspective (“I like being a guy for about 25 pages.”), and getting her start — from The Rumpus.

In addition to being a successful novelist, nonfiction writer, publisher and philanthropist/champion of kids’ writing programs, Dave Eggers is a pretty talented artist. His sketches/interviews from the World Series. (The Bay Citizen)

The Sorry State of the Rejection Letter. (via The Millions)

Are you a nonfiction writer? Does your work happen to fall into the normally unpublishable 90-pages-or-less category? Amazon wants you.

Finally: A sure sign that you’ve made it? You have your own font, a la Zadie Smith.

*Fun fact: The Republican candidate for governor of California, Meg Whitman, spent more on her campaign than the entire 2010 budget of the National Endowment for the Arts, approximately $163 million. Another fun fact: Her campaign was focused on cutting government spending.

Wednesday things

1. I noticed this morning that a story I’ve been working on lacks any sort of central conflict. Oops. So I’ve hit a dead end on that one, perhaps. Or maybe it just needs some time to marinate for a while. Sigh. Or maybe I just need to take a shower. I get a lot of good ideas in the shower, for reasons I cannot explain. (Random related question: Is there some kind of shower-friendly white board type of thing out there, for writing down the ideas that come while you’re washing your hair? If not, someone should invent that. Really.)

2. I spent much of yesterday morning working on a revision of the story that was workshopped at the writers’ conference, and I realized that finally, after years of struggle, I have an actual revision process. It’s not pretty, and I still detest revising, and I try to escape from my desk every five minutes or so while doing it, but the process/routine is there. I feel good about that. I now see why revision isn’t easily taught. Now that I think of it, probably this could be the subject of its own post. Hmm.

3. Ever send your work out to a lit mag, and a few months later think, “Oh yeah, hey, I wonder what the status of that is?” and then realize the magazine you submitted to ranks among the 25 Most Slothful, in terms of response times? Yeah, me too.

4. Finally, I saw this excellent bumper sticker yesterday:

Have a lovely Wednesday!

Writing links, the summer vacation edition

Since the end of July sort of eluded me and August looks to be similarly fast-paced, I thought I’d offer some mid-summer writing link goodness now. Consider this the summer edition of writing links. And consider me possibly away from the blog for a bit while I attempt to get at least a few days of sun before the summer is over. Getting sun, alas, involves leaving the city of San Francisco and its notoriously chilly, fog-filled days. Bon voyage! Enjoy -

The Best Magazine Articles Ever, including some real classics like “Frank Sinatra Has a Cold,” by Gay Talese, “Consider the Lobster,” by David Foster Wallace, Joan Didion’s “Goodbye to All That,” a few by Hunter S. Thompson, and so on. A great list and some fine narrative nonfiction reading.

“Torture your protagonist” is one of author Janet Fitch’s Ten Rules for Writers.

A Q & A with Gary Shteyngart: “I don’t know how to read anymore. I can only read 20 or 30 words at a time before taking out my iPhone and caressing it and snuggling with it.” Shteyngart has been all over the place recently, promoting his new book, Super Sad True Love Story, with a hilarious trailer, appearances, etc. I really enjoyed the interview with him on NPR’s Fresh Air. (I also just noticed that he’ll be reading in SF at the Bookshop in West Portal on Aug. 7, with a couple of other Bay Area appearances scheduled as well.)

A Fresh Breed of Literary Magazines, from the Independent. “It’s good to try to challenge the more established magazines. They don’t always deserve to be there.”
Oh, snap.

Book Preview 2010 from The Millions. So many yummy books, so little time. Also, so many still in hardback. Sigh.

A big deal: “Many writers may start to ask themselves whether they still need to sign up with traditional publishers at all.”

What if your story or essay or poem was accepted by one of the best lit mags out there … And then it wasn’t.

Hilarious. Sad. But, still, kind of hilarious. Excerpts from actual one-star Amazon.com reviews of books from Time’s list of the 100 best novels from 1923 to the present. (My favorite is taken from a review of Steinbeck’s Grapes of Wrath and could be me quoted verbatim circa 1987 when I had to read that novel in 10th grade: “While the story did have a great moral to go along with it, it was about dirt! Dirt and migrating. Dirt and migrating and more dirt.”)

Nice piece about author Barbara Kingsolver in the Irish Times.

And, finally, Haruki Murakami’s Norwegian Wood, one of my favorite novels, is being adapted into a movie, directed by Tran Anh Hung. Radiohead guitarist and keyboardist Jonny Greenwood is writing the score. The film will be released in Japan in December. Not sure about in the U.S. and elsewhere.

June writing links: book review ninja edition

It’s summer, apparently. Could have fooled me! (In San Francisco it’s sometimes hard to tell. Hello, 50 degrees, fog, and gusty winds!) But no matter what your version of summer feels like, summer is for reading. As in, kick back in a lounge chair under an umbrella, listen to the ocean and sip tropical drinks while devouring some extremely engaging literature. (Or, you know, bundle up in a fleece and hide in the one wind-protected corner of your deck hoping to glimpse some blue sky behind all that rushing white stuff. Or, perhaps, head out to the ocean and have the wind and sand give you that microdermabrasion treatment you’ve been thinking about.)

Anyhow, June’s links are all about books:

First up, a nice little reminiscence of an alley full of used bookstores in Bangladesh.

Next, memoirs of illness –there are a lot out there, this M.D. writes, and they’re not all necessarily good, in the conventional literature sort of way. But: “there is no story out there that is not a great story.”

I’ve always wanted to be a ninja. Probably “book review ninja” is as close as I’m going to get.

A excellent, bookish cause.

Jonathan Franzen, whose writing I am in awe of, this month published “Rereading ‘The Man Who Loved Children’” in the NY Times. Whether or not you care about The Man Who Loved Children, the writing in this piece is stellar. It called to mind Franzen’s essay “How to Be Alone,” which is one of my favorites.

“She didn’t care if none of it seemed possible. It wasn’t possible, but it was true.” A couple of summer reading possibilities. I’m loving the term “subtle surrealists.”

Writing links for May

It’s the end of May already. The end of May means the end of spring — the season — and the end of that metaphorical spring, youth. It’s time for summer, and for growing up, and for journeys … [insert needle dragging across record noise here]

Yeah. So I was writing up this post full of yummy May writing links yesterday and somehow it got all depressing and maudlin. This is not to say all of the links I want to share this month are depressing or maudlin. I’m not sure what happened — one minute I was happily writing up a list of links, the next I was using phrases like “that metaphorical spring, youth.”  Perhaps more caffeine (or sleep) was in order.

In any case, I’d like to start off this month’s links post with a preemptive strike against depressing topics. What better way to accomplish that than with Brontë Sisters Power Dolls?

Ahem. Ok. On to meatier clicking:

Is this the part where I tell you what I learned? San Francisco MFAer Margaret LaFleur wraps up her coursework and considers what it all means:

It’s the end and it’s the beginning and someone once told me that in any great story the ending should circle back and lead, somehow, back to the first sentence.

Some things to consider when tackling a case of writer’s block.

Over at The Millions, a beautiful essay, Elegy for a Stillborn Story:

One moment, I thought I had the story by its shoulders, but I was simply holding a shapeless protuberance of ice.  Other times I wrested it up with frostbitten fingers only to find it had changed.   It was born, or stillborn; I couldn’t tell the difference.  I mourned in the midst of celebration.  I buried it and dug it back out.  It was always ending and beginning.

Finally, Bay Area author Michelle Richmond considers what’s ahead for the Alabama beaches of her childhood in this lovely blog post, a kind of elegy of its own:

A whole way of life stands eerily close to extinction. If I sound alarmist it’s because I am very alarmed. What’s happening in the Gulf right now would make a great premise for some dire futuristic film–were it not for the fact that the film is real, and we’re all caught inside it, and everybody knows we’re in trouble but no one really knows what to do about it. My five-year-old son has been very concerned of late with the idea that perhaps we are not entirely real. “What if we’re just a book and someone’s reading us?” he asks again and again.

It’s easier, I suppose, to think of some things as not being real. Perhaps that’s why I like writing. (I love the idea that we’re a book and someone’s “reading us.”) I wish, as no doubt many people do, that the oil spill in the Gulf was some kind of fictional eco-thriller, but alas. If you feel helpless to do something about it, as I have for the past weeks, here’s a list of things you can do. There are a number of worthy organizations working in the Gulf to clean up the wildlife and shoreline, and they could really use your support.

April links: the personal essay edition

First: a piece by Joyce Carol Oates, “I Am Sorry to Inform You,” presumably excerpted from her memoir on widowhood. It is, as you might expect from Oates, deeply moving in subtle and unexpected ways.

And: My MFA classmate Lizzie Stark has written about the choice to have a double mastectomy at 28 over at the Daily Beast. It’s a powerful essay that manages to combine her emotions on the situation with humor.

And: This month was the AWP conference in Denver. I did not make it this year. Again. Every year I say I’m going to go, and, well, I haven’t been once. This year I decided to spend the money on writer’s workshops closer to home. If you didn’t make it to Denver, or even perhaps more so if you did, you might enjoy this AWP Postmortem on the Virgina Quarterly Review blog. I did.

Next year, you are so my year. I have no excuse not to make it to DC to attend AWP, as my Dad lives there and I won’t have to shell out for a hotel room.

But I digress.

Next: I have written before about dreaming in another language, and what happens when a second language begins to overtake a first. But I write stories and essays in my own language, and I can’t imagine what it would take to write creatively in a second (or third!) language, as Ha Jin and Aleksandar Hemon do. Which is why I found this essay, by writer Christiane Alsop, so fascinating.

And: commas! I overuse commas. Or at least, I use them a lot. I admit it. I don’t care. Not really. This  old essay, “In Praise of the Humble Comma,” by one of my favorite travel writers, Pico Iyer, explains it all:

The gods, they say, give breath, and they take it away. But the same could be said — could it not? — of the humble comma. Add it to the present clause, and, of a sudden, the mind is, quite literally, given pause to think; take it out if you wish or forget it and the mind is deprived of a resting place.

I’m in a cafe writing this, and I have actually bought a chocolate brownie that is too rich to eat. It seems impossible, I know, but it’s true. Do not buy anything called “chocolate praline fudge brownie,” and for your health, do not combine even a few bites of said brownie with caffeine. I think it is entirely possible that I am about to bounce off of something.

Finally: Chris Offutt’s Guide to Literary Terms cracked me up.

Writing links: March madness edition

March has been quite the month. Things happened! Time passed! I met my writing goal for the month, which was to rewrite (again, for the bizillionth time) an essay excerpted from that Korea memoir I wrote, lo these 4 years ago. I did it. I sent it out. Mission accomplished, and I don’t mean that in a George W. Bush kind of way.

Next up, April. But first, let’s revisit March:

Line between fact and fiction? What line? David Shields considers the fuzzy state of nonfiction in the LA Times.

March was apparently John McPhee month:
First, some suggested must-read McPhee. And the NY Times review of McPhee’s new book, Silk Parachute, which is getting all kinds of press attention for the fact that McPhee apparently writes a bit about himself in it, something he’s not known for doing. Finally, Richard over at Narrative had a nice post this month on McPhee and his process.

What’s the point of an epigraph, anyway?  Andrew Tutt, over at The Millions, considers these prologue-ish lit bits in an excellent essay:

People love to call epigraphs a bundle of things, an “apposite quote that sets the mood for a story and to give an idea of what’s coming” or “a quote to set the tone like a prelude in music” or as a “foreshadowing mechanism” or “like little appetizers of the great entrée of a story” meant to illuminate “important aspects of the story [and] get us headed in the right direction.”

Humbug, say I. Humbug.

Tutt may have a point. I put an epigraph in my Korea memoir and when I reread it recently I could not imagine why I’d selected that quote for my book, or why I’d included an epigraph at all. Hmm.

I learned this month that a young writer whose first collection of short stories I really admired will soon publish a novel. If you haven’t read Julie Orringer’s How to Breathe Underwater, I say: pick it up! “The Isabel Fish,” as well as the first story in the collection, “Pilgrims” are two of my favorites. I’m looking forward to the novel.

Two agent queries, one fiction, and one nonfiction, critiqued. Very interesting.

Author and Berkeley resident Michael Chabon talks up the Bay Area lit scene.

30 favorite opening lines in literature

From lit agent Colleen Lindsay, a handy guide to novel word counts.

A Japan-based designer says “good riddance to print” and offers his vision for books on the iPad. As might be expected, his blog is beautifully designed, too.

Meghan, over at Writerland, has a nice discussion going on present vs. past tense in memoir.

A lovely, sad essay by Jonathan Rauch in the Atlantic, “Letting Go of My Father.”

February writing links

I’ve finally finished a freelance project that was hanging over my head and am trying to get back whatever it was I was doing before said freelance project. It feels like that was about 3 years ago, but it was only 3 weeks. While I was busy juggling mom-work and freelance work (there’s probably a blog post in that, if I could just find the time to write it) apparently February ended. Which means it’s past time for February writing links. Here they are!

This one’s a bit of a rant, but a rant worth reading/thinking about, by Leon Wieseltier at the New Republic. It’s an essay on what the “digital revolution” is doing to writers (impoverishing them!), and why “nausea is in order.”

On a somewhat related note, “crowdfunding” author advances … In which “crowdfunding” is a fancy way of saying “begging.”

Mentioned in the New Republic piece above, this one, in the Atlantic, argues for shorter newspaper articles. I’m not sure if I agree or not, though the examples here sure are good ones.  I think if I was teaching a beginning journalism class, this piece might be required reading.

The Millions’ excellent guide to fiction online.

Sorry non-tweeting reading public, this one’s on Twitter.  It’s the Twitter feed of @longreads, which provides links to long-form nonfiction/journalism. I keep getting sidetracked reading the excellent writing @longreads suggests.

This one’s been widely posted, but I’m posting it here again anyway, in case you missed it. The Guardian asked various authors to give 10 Rules for Writing Fiction and the results are here. Some of the advice is quite funny, whether it was meant that way or not (“Don’t have children.” – Richard Ford) and a lot of it is to-the-point and hard, which I suppose the best advice should be.

If, like me, you’re interested in creative nonfiction, then this one’s for you. Susan Orlean, she of Orchid Thief and New Yorker article fame, is teaching a nonfiction class at NYU these days, and she’s posted her syllabus online (scroll down to find it). I found it interesting to see what she’s assigned for reading material and so on. Or maybe I just wish I could take the class.

Finally, a day in the life of author Alexander Chee, part of a series on writers’ daily lives here. What struck me most: Chee has three writing spaces set up in his house, so that no matter what part of the house he’s in, he can’t escape the work of writing.